What We Do In The Shadows Movie Poster

Ever looked at the movie poster for What We Do in the Shadows and thought, "Huh, that's a lot of pale faces"? There's more lurking in that simple image than just a bunch of vampires posing for a group photo. It's a hilarious snapshot of centuries of awkward roommate situations.

Let's break it down. You've got your core crew: Viago, Vladislav, Deacon, and Petyr. They're not just vamps; they're essentially a dysfunctional family crammed into a Wellington, New Zealand flat.

The Unlikely Family Photo

The poster itself is styled like a classic horror movie ad, all shadows and slightly menacing glares. But look closer. The characters' stances and expressions tell a whole other story. It screams, "We didn't choose this, but we're making the best of it."

Notice Viago, the eldest, often looks vaguely exasperated. He's the one trying to keep the household running, organizing chore rotations and mediating disputes. You can almost hear him sighing, "Bloody immortal roommates..."

Then there's Vladislav, the tortured romantic. He's got that brooding stare down, hinting at centuries of heartbreak and battles. But beneath it all, he's probably just sulking about failing to turn into a bat properly.

Deacon and the Art of "Trying"

Deacon is the "young rebel" of the group, eternally 18 (well, technically, more like a few hundred). He seems like he's posing, but only putting in 20% of the effort. He's trying to look cool, but mostly looks like he needs a nap.

And of course, there's Petyr. Old and scary, locked in the basement. He might not contribute much to the flat meetings, but his presence adds a certain...gravitas. Or maybe just mold.

The genius of the poster lies in its contrast. They are vampires, supernatural creatures of the night, but they’re also utterly relatable. They squabble over chores, worry about their outfits, and try to navigate the complexities of modern life (with varying degrees of success).

Beyond the Pale Faces

Think about the lighting. It's dramatic, emphasizing the shadows and their sharp features. But it also creates a sense of intimacy, like you're peeking into their dimly lit living room.

The color palette is muted, mostly blacks, greys, and reds. It's a classic horror scheme, but softened, hinting at the underlying humor. It's like a vampire painting but with a gentle touch.

The poster isn't just advertising a movie; it's setting the tone. It's telling you, "Get ready to laugh, because these vampires are about to show you the most mundane, bizarre, and surprisingly heartwarming parts of immortal life."

So, next time you see the What We Do in the Shadows poster, don't just see a bunch of vampires. See a found family, struggling to make it work, one awkward flat meeting at a time. See the humor in the mundane and the heart beneath the fangs.

It's a masterclass in visual storytelling. It captures the essence of the film perfectly: a hilarious blend of horror and humanity, all wrapped up in a surprisingly relatable package. It's a bloody good poster.